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EPNet News
a publication of the Equine Photographers' Network

September 15, 2001
Volume 1, Issue 4

EPNET ONLINE
DIRECTORY
JOB BOARD
THIS MONTH'S NEWSLETTER
COPYRIGHT

Business Practice

Licensing the Use of Your Images -Part II of II

What is commercial use? Use in an advertisement to sell a horse or product or service such as training, breeding service or instruction. Commercial use can be via print vehicles such as magazines, journals, brochures or other printed matter or via the Internet. Most photographers price these uses separately as they have separate values.

What is editorial use? Use to complement an article, announcement or short feature that is being written about a person, horse, show, facility, etc. Beware though that some magazines sell their cover stories which is actually an advertising use cloaked as an editorial use. Your clients should direct publications to you to negotiate the licensing of editorial use rights.

What is personal use? Display in the home or on a personal web site if that site DOES NOT include commercial activity or promotion of any type for the sales of goods or services.

Why should I license my work? All other segments of photography license the rights to advertising & editorial use and so should you. Just because equine photographers of the past have foolishly given away use of their work, sometimes putting themselves right out of business, there is no logical reason to follow this lead. When clients push for freebies, tell them that the graphic artist is not going to give them free design service nor is the magazine going to give free ad space. You provide a valuable service by creating quality images that help promote sales for clients & add value to magazines content.

Should I ever give away use of my work? No but you may want to barter. It would be foolish not to seriously consider some bartering of advertising space or certain products IF and ONLY IF the "payment" suits your business needs. If you do decide to barter, you should still prepare a use license which is a written contract to protect you in all aspects of the transaction.

What if I donate use of an image to a charity? Great, make sure you get prominent photo credit and any other benefits that seem appropriate. Cover the donation with a use license so the charity understands exactly what usage rights you are donating. Charitable donations should only comprise a small amount of your total business volume - they can be tax deductible but you risk audit if you claim too many.

How do I prepare a use license? First determine exactly what rights you will license to the client. Here's an excellent resource that explains exactly each type of right that can be licensed: http://handcraftedphotos.com/hcp_stuff/
business/photographic_and_artistic_usage_.htm

Here are some references to contracts, forms and common terms & conditions all designed to be fair and protect your interests:

www.sethresnick.com This photographer and dynamic advocate for the rights of photographers has designed a wonderful resource, For Photographers - a Reference Section, on his site. You will need to register to access this site. The menu with this reference section is about 3 pages into the site. When contacted about this article, Seth Resnick has indicated that readers may use and modify the contracts as long as credit is given to him in the form of credit © 2001 Seth Resnick http://www.sethresnick.com

The book Business and Legal Forms for Photographers by Tad Crawford may be purchased at many online bookstores, new or used.

 

Kathleen Wattle
www.captivespirit.com

Inspirational Moments . . . 

     "The urge to create, the urge to photograph, comes in part from the deep desire to live with more integrity, to live more in peace with the world, and possibly to help others to do the same. "

-- Wynn Bullock

 

 

 

 

 


Photo Tip . . .

For sharp photos, the shutter speed should never be set lower than the length of the lens when hand-holding the camera. ie: a 250mm lens should be set at 1/250th of a second or faster. Of course panning and artistic photography break this rule, but I find it a nice guideline, especially with the telephoto lenses.

Patty Hosmer
hoofprints@dakotacom.net
HoofPrints Photography
Tucson, AZ

»This Just In...«

Check out the September issue of the Southern California Riding Magazine
featuring equine artists and photographers.
http://www.ridingmagazine.com

For more information, contact EPNet member cheryl@ridingmagazine.com


The mission of EPNet News is to inspire, educate and reinforce
the importance of integrity and professionalism in business practice.


Editor
Rebecca Baucus 
Assistant Editor
Kathleen Wattle
Staff Writer & Logo Design
Deb Barone
Contact Editor to Submit Article Suggestions or Comments
Copyright, 2001, Equine Photographers' Network. All rights reserved.
As a publication of the Equine Photographers' Network, the EPNet News does not guarantee the accuracy, adequacy or completeness of any information presented. One Horse Productions, the staff of EPNet News, guest authors of the EPNet News and current members of the Equine Photographers' Network are not responsible for errors, omissions or for results obtained from the use of such information. Any reference to specific products, process, or service does not necessarily constitute or imply endorsement of such.

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