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Business
Practice
What
to do for 2002
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For
many of us, business is winding down and we have time to reflect
on ways to improve in the future. With a little effort noting
practices and products to research, utilizing helpful websites
and defining your goals, you can make a positive impact on your
business for 2002. My Goals and Objectives list includes: things
I need to research, implement or purchase, yearly financial goals
and career goals. I overhaul the list annually and do spot checks
throughout the year adding and deleting as necessary. As a dedicated
researcher and believer in the power of list-making I can offer
the following tips to use while creating your own.
PRACTICES
AND PRODUCTS- If you are a member of an internet specialty
group such as the popular Yahoo Equine Photographers list, you
may read of business or photography practices and products you
weren't aware of. For instance, it was through an Equine Photographers
group discussion that I was compelled to research "releases".
As I wanted to use images in my portfolio, I needed to understand
what exactly releases were. Through my research I learned that
a model release is what the subject signs to allow the photograph
to be used commercially as in your portfolio, products or advertisements.
When you release your copyright to allow clients to advertise
their horse, a usage license protects both photographer and client
as it states what is intended and what is allowed to be done with
the image and specifies the rights purchased.
In
the daily handling of business matters, make note of what works
and what doesn't. Off-season is perfect for spending time overhauling
your paperwork and forms. If a client has a hard time understanding
your paper or how to order a print, a bit of research to eventually
correct this confusion improves your sales and service. If you
feel your work was published or used without your permission,
confirm that your paperwork would stand the legal test if you
need to take it to court.
Purchases
of photography and business equipment are expensive additions
that affect your profit and work style. When I bought my Nikon
f100, I knew I was getting the right camera for me because I had
researched my needs and the cameras features. Two years later,
I am still loving that camera and have begun research on the 80-400
VR lens and possibly a dedicated negative scanner. Putting a little
thought and effort before the purchase, saves frustration and
finances later.
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http://groups.yahoo.com/group/EquinePhotographers
WEBSITES-To
find helpful websites, use a search engine that thinks like you
do. When I began surfing, I used Lycos, but now find that Yahoo
more often matches my query.
Refine your search, for example, I was searching for information
on Fair Use and how it affected the scanning and posting of images
by my non-commercial clients. For my first query I input "fair
use guidelines" and hit search. Lots of libraries and universities
sites referring to student use appeared on the screen. I searched
again under "fair use guidelines personal web pages"
, now most of the sites just referred to the guidelines, no description
as to what they were. I knew what I wanted, but how to tell the
search engine? For my final try, I searched on, "copyright
law fair use images". With these keywords, I located several
law universities and government sites that fully explained what
I was looking for. Fair use is complicated and can be very subjective
when legal determinations are sought. The outcome of my search
indicated the need for me to have a written policy to educate
my non-commercial clients. Regarding web searches, If at first
you don't succeed, try again....I often compare search engines
to librarians....some know right away what book you need and some
don't.
http://www.squirrelnet.com/
This is a plain-speaking website that invites you to "gather
your information here" and information they have! They list
their top 20 search engine picks, I just may have to try their
top choice, Overture (formerly known as goto.com) at www.overture.com
BUSINESS
GOALS-All business should have goals, whether short term like
"clean off the desk" or long term like "I want
to go digital by 2004". Keep your focus and take the small
steps each day, never pass up the opportunity to take that small
step when it is presented. Writing goals down and posting the
list near your work area is a good way to keep them in mind. I
also have a fondness for inspirational quotes which offer a meditative
quality to my thoughts as I go about my daily life.
http://www.topachievement.com
Top Achievement offers a quote-a-day mailing that is really inspiring,
their website offers a wealth of self-improvement resources.
It's
not easy creating and organizing a personal Goals and Objectives
list, but next to a formal business plan, it is one of the most
necessary aspects of a successful venture.
Use your downtime wisely, what you put into growing your business
is what you get back. Make 2002 your year to shine!
Rebecca
Baucus
www.Rebecca.Baucus.com
It's not just the camera...
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Inspirational
Moments . . .
Organizing
is what you do before you do something, so that when you do
it, it's not all mixed up.
A.A.
Milne
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DIGITAL
CONNECTION:
Don't
Look a GIF Horse in the Mouth...
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Whether
sending through email or posting images to Web pages, your first
decision after "which one?" should be: How should you
format those images?
Raw
images from digital cameras or scanners have files sizes that
are just too big to be quickly downloaded over the Web, even after
reducing dimensions, compression is necessary.Compression does
not decrease the dimensions of your images, it just reduces the
size of the file and with greater degrees will affect the quality.
The standard image compression formats for the web are GIF and
JPEG.
So
the question remains, is GIF or JPEG the better format to use?
The final answer: It depends. It depends on the type of image
you're working with, how small the image file needs to be, the
way you want it to download and how it displays. Photographs and
graphics with lots of color fields, and particularly colors that
blend and fade into one another, are generally best served by
JPEG. Titles and solid color graphics are generally best as a
GIF. For animations, slide shows and other motion effects, the
only choice is GIF. So it pays to know how to best optimize images
for your needs with either format.
JPEGs
The Joint Photographic Experts Group created the JPEG format to
create even better image compression for the web. As any image
compression causes loss in the details. The visual loss that occurs
in jpegs can be seen around the edges in a blurring effect (pixels
of 'splatter'). This blurring in some photos can ruin the important
details; faces become distorted and details like text often become
illegible. For most anyone with a digital camera or image downloading
software, the jpeg or jpg file format for photos should be pretty
familiar. There are several reasons for this, the most important
being that they tend to look best for photos while creating relatively
smaller file sizes. Some graphics programs show the compression
saving options on screen before the save, in this way you can
distinguish the need for quality vs loading time.
GIFs
Graphic Interchange Format files, do not blur. In fact, at 256
colors, gifs very clear crisp near perfect duplications of the
original images that are very hard to distinguish from the original
larger files they came from. However, the gif compression algorithms
that tell, line by line, your computer how to display web images
are 'wordy'. This means that they take twice as many bits as jpegs
to pass that information on, thus often becoming twice the file
size. So the most important factor in making small gif files is
finding the right balance between the many options you have with
the format.
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Options
such as:
Colors:
the color palette options for gif 'web optimized' file saving
in the more recent Adobe PhotoShop programs (the "Save for
Web" features) are the best yet. You can choose from not
only the number, but also from 'web ready' colors which offers
a palette to play with. You can even individually remove those
colors you find less effective than others in the overall image
output.
Dithering:
this feature mixes colors to approximate colors it removes from
the total number of saved colors. You are also offered options
to render this as a pattern, noise or diffuse it. The variations
you choose will differ depending on the image being compressed.
Lossy:
this further compresses images sizes by selectively discarding
file information, meaning that your picture degrades further.
Color
Reduction Algorithm Selections: the formats here, Selective,
Perceptual, Adaptive or Web each have a moderate variation on
final file size but more importantly will affect how the image
looks combined with the three other more mitigating factors.
An
image's compression format shapes the way web browsers can download
it. Interlaced GIFs appear first with poor resolution and then
improve in resolution until the entire image has arrived, allowing
the viewer to get a quick idea of what the picture will look like
while waiting for the rest. JPEGs can only arrive linearly, from
the top row to the bottom row. Transparent backgrounds are another
GIF specific feature, image cutouts and titles are easily transferred
onto various web page backgrounds.
Clearly
gifs have a great deal of flexibility in saving small images for
many uses. However, the fact remains that the jpg method of color
approximation more often then not can be optimized to a smaller
file size than that same image in the gif format. Thus jpg became
the default file saving option on most photo image downloading
software. The primary reason gif compression technology hasn't
gone the way of most other large technology dinosaurs is because
it's not. It still makes the web legible whenever details such
as text 'images' crop up (those cute web buttons you use everywhere!),
and is still the primary way to save animated images. With skillful
manipulation of the many compression options gifs have, they can
be indistinguishable from their counterpart, the jpg. For the
web, both are equally useful and necessary. For the photographer,
knowing the difference and how to optimize compression and image
display for both formats increases the ease of viewing on websites
and through email for clients.
(yes
that's a gif!)
webmaster@one-horse.net
One Horse Productions: www.one-horse.net
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The
Vintage Image
Man
with Two Horses- Photographer unknown
As a collector of vintage horse images, I am most impressed
by the affection between the horses and man. The print is
circa 1930's and while I have my thoughts on the details of
the subjects, I welcome insights from readers as to occupation
of man, breed of horses, location etc.
Send
your thoughts to Rebecca@RebeccaBaucus.com
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MARKETING
INSIGHTS:
Taking
A Look “Outside The Box”
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In
sitting down to write my first column for our EPNet Newsletter,
I began to
think about the last 25 years of my professional life. I realize
now that it
was certainly a gradual evolution that took many different turns
for me.
I
know, too, that the most significant aspect of my professional
life has
been that I have done my best to think outside the box,
sometimes
radically. Id like to help you think outside the box
too.
Marketing
as defined by Websters dictionary is the process of promoting, selling, and distributing a product or service. And a product
or service is
considered marketable when wanted by a Potential Purchaser.
So,
with the above said, lets make a list right here and now
of the most
important thing you have to market.
Lists
may vary, but Im betting that the first thing you put at
the top of
your list is images of horses, right?
I
would like to challenge you to alter your thinking just a bit
and put YOU at the top of this list.
At
this point in time, I can promise you that if you agree that YOU
should be at the top of this list and you plan your marketing
approach with this in mind, it will be YOU that your Potential
Purchaser chooses over and over again. It will be YOU that
your Potential Purchaser chooses above even the most
beautiful photo you can take of even the most beautiful horse.
That is because until you market YOU, you cannot maximize your
marketing potential.
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Here
are 3 things your Potential Customer EXPECTS from
YOU:
1.
Quality
2. Quick Turnaround
3. A professional, friendly attitude
If
you can honestly say that you are not only living up to, but exceeding
what the above list implies, you are probably halfway to strategizing
marketing solutions to put YOU in the mind of the Potential
Purchaser.
Heres
a statement Id like you to think about for the next 30 days:
People like to do business with people they LIKE; they like
to do business with friends.
And
one more: If you are not a part of the solution, you are
part of the problem.
Now
that Ive got you thinking outside the box, next
time well explore that old saying from Madison Avenue: Sell
the Sizzle, Not the Steak.
In
the meantime, write me a letter about a solution you
found for a purchaser that caused them to say thank you
with a smile (please type EPNet in the e-mail subject
heading). And, if you have a specific marketing question that
youd like answered privately, please indicate so inside
your e-mail. Write to me at SusanGHoltzman@aol.com.
Best
regards,
Susan G. Holtzman Marketing Strategies & Solutions
Helping People Get What They Want
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Legal
Views
Question: "When
photographing for commercial and/or editorial purposes must
a property release be sought from a company whose product
logo/name is prominently displayed?"
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Answer:
This question essentially asks whether permission is needed
to photograph and publish images of trademarks. Trademark
law can be complex but in general one may publish photographs
containing trademarks provided that the use does not cause
confusion about who is sponsoring the image. For example,
if viewers were likely to infer that Coca Cola was sponsoring
or endorsing a line of clothing products because a model was
holding a can of Coke, this might be grounds for trademark
infringement. One the other had, if the can of Coke was visible
in a trash can next to be model, the likelihood of confusion
would be nil since it is unlikely that anyone would think
that Coca Cola was a sponsor of the image.
Bert P. Krages
Attorney at Law
6665 S.W. Hampton Street, Suite 200
Portland, Oregon 97223
http://www.krages.com/lvaserv.htm
Editor's Note: Bert Krages is an attorney practicing
environmental and intellectual property law in Portland, Oregon.
He is also the author of the Legal Handbook for Photographers:
The Rights and Liabilities of Making Images
More information on his book may be found at http://www.krages.com/lhp.htm
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Spotlight:
Behind the Camera
Allan Rosen-Ducat
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Photography
has been a constant in my life since receiving
my first camera at the tender age of six. My parents supported
my interest all through my childhood, starting with that
first Kodak Instamatic. Even still, they were a bit shocked
when I presented the view camera I had purchased with my
savings while still in high school. I
experimented with photographic processes throughout
elementary and high school. I created images that were
introspective and deep for my age as well as gaining the
confidence to make photography a career. My guidance counselor
in eleventh grade pointed me at the wind-swept plains of
the northern tier of New York State and Rochester Institute
of Technology. Life at RIT was as close to a total immersion
in photography that one can get.
I
still remember the hours and hours, even days spent enclosed
in the catacombs of darkrooms, bathed in the fumes of Stop
Bath, Fixer, primed with thick dark coffee. Surely the curriculum
has undergone great changes with the prominence
of digital imaging and inkjet technologies coming to the
photography scene.
After
graduating from RIT's Photo Illustration Program I joined
a studio in Ithaca, New York which offered every thing from
8x10 to 35mm, E-6 to B/W and B/W to Color printing. North
Light Photographic Studio was one of the only full service
labs/studios in the area. Fresh out of school, I was shooting
everything from transmissions to shoes. I almost bought
into the studio, but at the last minute I pointed myself
to brighter horizons and married my childhood sweetheart.
We
relocated to sunny Los Angeles and I became an assistant
in a fashion and fashion product studio. With a few years
of assisting, shooting lots of film, I opened my own studio.
Eventually teaming up with a fellow photographer, our specialty,
Mall Catalogs. Truly not as glamorous as it may sound. I
worked in the LA market for about six years, until missing
my family, the sunlight, I decided to sell my share of the
studio.
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Following
the industry trends in making images for the catalogs, I
had lost my desire to photograph. There's little room for
art and introspective in producing the volumes images needed
for catalogs. Then on one fateful afternoon, a friend called
for me to assist in rescuing a thousand pound elephant seal
that had been found injured on a local beach. Two months
later, the experience inspired me to form a group that would
perform around 4000 rescues of wildlife in Los Angeles and
Venture Counties of California. Over the course of four
years we retrieved everything from Rattle Snakes to Sea
Lions, providing
EMS and transport to care facilities. I have to forward
there's nothing like a successful Rattle Snake Rescue or
Wrestling a two hundred pound Sea Lion to wake the senses
and regain
intospective. With the adoption of our first child, my wife
and I decided to discontinue our rescue activity as responding
to wildlife emergencies was difficult to plan around family
life.
My
wife and I were riding Dressage at this time and I, began
seriously shooting Equine Images to satisfy my newly revived
zest for photography. When I started enlarging my images
as Iris Prints, wouldn't you know it... they began to sell!
I continued to shoot images for my portfolios and began
creating limited editions of Iris prints.
After
surviving the Fires, Earthquakes, Windstorms, Floods, MudSlides,
and Social Insurrection of Southern California,we made the
decision to move back east. Our destination, Naples, Maine:
a favorite vacation spot of ours where we had spent
many pleasant summers. So here we are in Naples operating
a Digital Imaging and Photography Business. Due to our rural
location, I find that I must specialize in everything in
order for the business to survive and prosper.
When
I make the commitment to photograph at an event or travel
to a specific location to make images I harbor great anxiety
for the successful outcome of the project. You
can call it stage fright, but it urges me to strive for
perfection. When I see that I have indeed created something
of beauty, that I have been successful in my art, something
deep inside me accepts the wonderment of the creation and
yes, sometimes,
it brings tears of joy to my eyes.
In
the end, I strive to be known as a creator, rather than
a destroyer. Like a carpenter or a potter, just a simple
image maker.
Allan
Rosen-Ducat
http://www.rosen-ducat.com/
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| Photo
Tip . . . Don't Lose Your Power!
Batteries
- something that all the newer autofocus 35mm and the digital
cameras just seem to eat up like candy. These cameras are
incredibly automated but they do not operate without power.
Always carry backup batteries for all your gear -- you might
save your shoot! Both extremely hot weather and cold weather
can be an extra drain on batteries, so stock up today and
be prepared.
Kathleen Wattle
www.captivespirit.com
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©
Captive Spirit
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»This
Just In...«
- The
Equine Photographers' Network recently became a corporate affiliate
with American Horse Publications, you may check out their website
here: www.americanhorsepubs.org
- Marketing
Insights author, Susan Holtzman was interviewed for Marcia King’s
article “UNRISKY BUSINESS: 10 Tips To Get Started in the Horse
Business” in the January, 2002 issue of HORSE ILLUSTRATED
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The
mission of EPNet News is to inspire, educate and reinforce
the importance of integrity and professionalism in business practice.
As
a publication of the Equine Photographers' Network, the EPNet
News does not guarantee the accuracy, adequacy or completeness
of any information presented. One Horse Productions, the staff
of EPNet News, guest authors of the EPNet News and current members
of the Equine Photographers' Network are not responsible for errors,
omissions or for results obtained from the use of such information.
Any reference to specific products, process, or service does not
necessarily constitute or imply endorsement of such.
© 2001 Equine Photographers' Network, All Rights Reserved
Disclaimer
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