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Business
Practice
Getting
the Positive Out of Your Negative
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One
of the keys to managing your photography business lies in the
negatives. As soon as possible after the event or shoot, organize
your images and negatives by date and roll numbers. It is worth
the investment of time to learn safe handling techniques and implement
them in your business as profits can be made or lost years later.
When
handling negatives, either wear cotton gloves or minimally hold
at edges to avoid fingerprints. The oils from your hands can destroy
the sensitive emulsion layers and damage may show up years later.
When catalogued and stored in archival negative pages or other
recommended safe storage system, scratches, dust, light exposure
and misplacements are kept to a minimum.
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As
a professional photographer, it is imperative to understand that
photography is an inherently volatile chemical process from the
initial purchase of film to the display of prints. When we choose
to write with light, we invest considerable amounts of time, money
and effort into the production of our images. Whether your weapon
of choice is a 30-year-old 35mm manual or the latest image-capturing
gadget: if you have a camera and take images, you are a photographic
historian. When we are skilled enough to produce a detailed, specific
visual record. we need to be skilled enough to protect that image
and its source.
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The following websites
offer a wealth of information:
Storage
and Care of KODAK Photographic Materials- Before and After Processing
Eastman Kodak Company
Caring
for Your Photographs
American Institute for Conservation of Historic and Artistic Works
(AIC)
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The
Care and Preservation of Photographic Prints
Compiled by the conservation staff at Henry Ford Museum &
Greenfield Village
Caring
for Your Photographic Collections
Library of Congress
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| Inspirational
Moments . . .
"To
take photographs means to recognize -- simultaneously and within
a fraction of a second -- both the fact itself and the rigorous
organization of visually perceived forms that give it meaning.
It is putting one's head, one's eye and one's heart on the same
axis."
--
Henri Cartier Bresson
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Spotlight:
Behind the Camera
Sharon
Fibelkorn
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I
grew up as a horse crazy kid without a horse and was told photography
was a waste of time. Well, my love affair of all things Equine
continues today, and I do a nice job of finding great freelance
work photographing, yes, you guessed it, horses.
I
like to think that some of my images evoke emotions in the people
that see them and it's a joy to do editorial work for some of
the finest publications on the market today. Don Trout (well known
QH photog in the USA) gave me my beginnings with horse photography.
I
initially spent a lot of time shooting various breed horse shows
to learn the movements and see what drives certain breeds. Attending
a show is still my favorite past time next to hanging out with
my own little mare.
Sharon
Fibelkorn
wezshootn@yahoo.com
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| Photo
Tip . . . Keep your objectivity.
Be
completely uninvolved when editing and critiquing your own photos.
Just look at the picture, don't think about who took it, what
else was going on when you took it; who it's a picture of, etc.,
etc. You can only see the value and quality of an image if you
look at it with no emotional involvement. Just look at it; don't
look for ways to pat yourself on the back. You can't learn anything
from that. This doesn't mean that you shouldn't take credit where
it's due; it just means that you have to learn what's creditable,and
this isn't going to happen if you are emotionally involved.
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The
mission of EPNet News is to inspire, educate and reinforce
the importance of integrity and professionalism in business practice.
As
a publication of the Equine Photographers' Network, the EPNet
News does not guarantee the accuracy, adequacy or completeness
of any information presented. One Horse Productions, the staff
of EPNet News, guest authors of the EPNet News and current members
of the Equine Photographers' Network are not responsible for errors,
omissions or for results obtained from the use of such information.
Any reference to specific products, process, or service does not
necessarily constitute or imply endorsement of such.
© 2001 Equine Photographers' Network, All Rights Reserved
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